
Edition: 300 signed
In this homage to Basquiat, Banksy offers a mirror to his own practice of appropriation as well as that of the endless wheel of capitalism and consumerism in which masterpieces are massively reproduced on tee shirts or rehashed for advertising campaigns.

Banksquiat comments on the excesses of late capitalism that allows artworks to be commodified. At the same time, there is a paradox at play; in order for art to be accessible to all – which is perhaps central to Banksy’s mission as an artist, as well as that of Haring and even also Basquiat – art must be reproduced and shared rather than held ransom by a handful of the elite who own the original artwork or the intellectual property. In this way, Banksy cleverly comments on, as the original website description puts it, “the relentless commodification of Basquiat in recent times – by crassly adding to the relentless commodification of Basquiat in recent times.”


Edition: 300 signed
DESCRIPTION
Banksquiat
Editions
AUCTION RESULTS
Banksquiat was initially sold in the primary market through Gross Domestic Product, against a commitment not to sell in the secondary market for three years. Pest Control Office has now issued Certificates of Authenticity for those works.
Banksquiat sold twice at auction so far in 2022.


Banksquiat (Grey), 2019
Signed in white crayon, lower right
Numbered 218/300 in white crayon, lower left
Bonhams London, 29 June 2022
GBP 101,100 / USD 124,353

Banksquiat (Grey), 2019
Signed in white crayon, lower right
Numbered 216/300 in white crayon, lower left
Christie’s online, 15 March 2022
GBP 163,800 / USD 216,216

GBP 100,000 / USD 139,000




